© 2006-2016 Digital Data Exchange, LLC (DDEX) This XML Schema Definition file is, together with all DDEX standards, subject to two licences: If you wish to evaluate whether the standard meets your needs please have a look at the Evaluation Licence at https://kb.ddex.net/display/HBK/Evaluation+Licence+for+DDEX+Standards. If you want to implement and use this DDEX standard, please take out an Implementation Licence. For details please go to http://ddex.net/apply-ddex-implementation-licence. A Type of Video. A Video whose audio content corresponds exactly or approximately to that of an audio-only Single which embodies at least one MusicalWork. ShortFormMusicalWorkVideos are typically identified by an ISRC. A Video of a short ended duration not specifically embodying a MusicalWork. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Role played by a Party responsible for administering Rights in a Resource or a Release. An AdministratingRecordCompany that is designated to receive a sales report for Releases. Note: Typically this Report is in the form of a DSR Message. A Party administrating Rights on behalf of one or more RightsControllers. A Party that collects and distributes royalties on behalf of one or more RightsControllers. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A code representing a Territory. This includes ISO 3166-1 two-letter codes and selected ISO 3166-2 codes, CISAC TIS codes, plus a code for Worldwide. It also includes deprecated ISO codes defined in ISO 3166-3. A Role of a principal Contributor in relation to a Performance or a Fixation. A Party who performs spoken word or mime. An Author of adapted Lyrics of a MusicalWork. Note: The adapted Lyrics may or may not result in a new copyright Creation. A Designer of a building. A modifier of musical components of a Work. Note: The arranged MusicalWork may or may not result in a new copyright Creation. A principal Contributor to a Performance of a MusicalWork or a NonMusicalWork that results in the creation of a Resource. Note: Used for naming groups as well as individuals. An Artist commonly associated with a Work as one of its Performers, and whose identity is only used for accurate Work identification. A Creator of written or spoken words which form part of a Resource. A group of individuals who perform vocally and/or instrumentally together. A Creator of a cartoon. A group of Parties who perform vocally together. Typically, Choirs consist of at least 2 people in an combination of different vocal ranges. A Creator of a dance. A Creator of the musical elements of a MusicalWork. A Creator that plays the roles of Composer and Lyricist of a MusicalWork. A Creator of a computer graphics. A Party who leads or conducts a Performance by a group of musicians. A Party contributing to the making of a Creation. A Party who performs a dance. A Creator of a design. A Party who leads or supervises actors, e.g. in the prodution of a movie. A group of two or more Parties performing a MusicalWork together. Note: An Ensemble may be of any size or any grouping of Performers from a vocal duo to a full orchestra. A Party who is not the MainArtist but is acknowledged as a significant Contributor to the Performance. Note: FeaturedArtists are often MainArtists on their own Resources. They are also frequently credited on marketing material using the term 'featuring ...'. A Director of a movie. A Creator of a drawing. A Designer of graphical elements. A Creator of an article for a magazine or a newspaper. A Creator of a libretto. A Creator of the Lyrics of a MusicalWork. A Party who is a principal credited Artist for a Resource. A Party who tells a story or gives an account of an event. A Creator of written or spoken words other than Lyrics. A large group of Parties performing a MusicalWork together, predominantly using musical instruments rather than voice. An Orchestra is typically led by a Conductor. A Party which has acquired, from a Creator, Rights in a Creation for a specified Territory and Period. A Creator of a painting. A Creator of a photograph. A Director of responsible for photography. A Creator of a stageplay. A Party who performs a MusicalWork either vocally or instrumentally and would be considered the principal Contributor for the piece. A Party responsible for an artistic input to the production of a Resource (e.g. a SoundRecording or audiovisual Recording). A Creator of a computer program. A Creator of a screenplay. A Party who performs the featured Part of a MusicalWork (or a section of it) alone or with only supporting accompaniment. A Party who performs a MusicalWork either vocally or instrumentally in a studio. A Party who is employed in a studio and contributes to the making of a Resource. A Creator of arrangements made on behalf of a SubPublisher. A Party that translates Lyrics and/or Text from one Language into another. This is also known as sub-Lyricist. A Creator of a copy of a piece of art. A Creator of artistic handwriting or lettering. A Creator of a map or other cartographic work. A Creator of a cartoon. A Creator of computer graphics. A Creator of a computer program. A Creator of technical drawings derived from designs made by other people. A Creator of a plan for constructing something. A Creator of a copy. A Creator of a drawing. A Creator of an illustration. A Creator of a copy of a Composer or Arranger's manuscript. A Type used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is known, but not specified. A Creator of a painting. A Creator of a Photograph. A Creator of a typeface. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Type of AudioCodec. Advanced Audio Coding as standardized in ISO/IEC 13817-7. Adaptive Differential PCM audio as defined in ITU G.721, 726 and 727. An AudioCodec to optimize, i.e. modify, the dynamic range of an analogue signal for digitizing, mostly used in Europe. Adaptive Multi-Rate Narrowband. Adaptive Multi-Rate Wideband. Free Lossless Audio Codec developed by the Xiph.Org Foundation.. MPEG Audio Layer II, as standardized in ISO/IEC 11172-3 and 13818-3. MPEG Audio Layer III, as standardized in ISO/IEC 11172-3 and 13818-3. An AudioCodec to optimize, i.e. modify, the dynamic range of an analogue signal for digitizing, mostly used in North America and Japan. Pulse-code modulated audio as used e.g. on audio CDs. Typically, but not exclusively, PCM bit streams are communicated in WAV containers. Pulse-Density Modulation, a form of modulation used to represent an analog signal with digital data. Direct-Stream Digital (DSD) is the trademark name used by Sony and Philips for PDM. Qualcomm Code Excited Linear Prediction as developed by Qualcomm. Real Audio as developed by RealNetworks Inc. Shockwave as developed by Macromedia Inc. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. An AudioCodec developed by the Xiph.Org Foundation. Windows Media Audio as developed by Microsoft Corp. A format of a Fingerprint. Base64-encoded binary data. Hexadecimal-encoded binary data. A business-related Role played by a Contributor in relation to a MusicalWork. A Publisher of books. A Party listed as copyright owner at the time of registration. A Party to whom copyright has been granted or transferred. A Party that enters into contracts and/or assignments with composer(s) in respect of their copyright MusicalWorks and in return for a proportion of the royalties generated from their use, undertakes work on behalf of the composer(s) including but not limited to promoting the usage of the Works, licensing their use, collecting and distributing royalties and developing writing partnerships with other composer(s). This term includes OriginalPublisher and SubPublisher. A Publisher of newspapers. A Party which has acquired, from a Creator, Rights in a Creation for a specified Territory and Period. A Publisher of periodicals (e.g. magazines, journals). A Party which has acquired, by Agreement with a MusicPublisher, Rights in one or more MusicalWorks for a specified Territory and Period. Note: This includes Rights which are passed to subsidiaries or affiliates of a larger Organization. A Party acting on behalf of a MusicPublisher or other controller of Rights in a MusicalWork. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Type of Carrier used for a Fixation. A Disco Single Remix 12 inches (30 cm) VinylDisk. An LP 33 rpm 10 inches (25 cm). A 33 rpm 10 inches (25 cm) VinylDisk single. An LP 33 rpm 12 inches (30 cm). An LP 33 rpm 12 inches (30 cm) with 20 tracks. A 33 rpm 12 inches (30 cm) VinylDisk maxi single. A 33 rpm 12 inches (30 cm) VinylDisk single. An LP 33 rpm 7 inches (17 cm). A 33 rpm 7 inches (17 cm) VinylDisk single. An LP 45 rpm 10 inches (25 cm). A 45 rpm 10 inches (25 cm) VinylDisk maxi single. A 45 rpm 10 inches (25 cm) VinylDisk single. An LP 45 rpm 12 inches (30 cm). A 45 rpm 12 inches (30 cm) VinylDisk maxi single. A 45 rpm 12 inches (30 cm) VinylDisk single. A 45 rpm 7 inches (17 cm) VinylDisk EP. A 45 rpm 7 inches (17 cm) VinylDisk single. A Maxi Single Remix 7 inches (17 cm) VinylDisk. A blu-ray disc. A CompactDisc. A CD Compilation. A CD EP. A CD EP enhanced. A CD Extra Compilation. A CD Extra EP. A CD Extra LP. A CD Extra Maxi Remix. A CD Extra Maxi Single. A CD Extra Single. A CD Extra Single 2 tracks. A CD album. A CD LP 5 inches (12 cm). A CD album enhanced. A CD album plus Video CD or AV CD. A CD album plus DVD Audio. A CD album plus DVD Video. A CD album plus web link. A CD maxi single. A CD maxi single 3 inches. A CD maxi single enhanced. A CD maxi single remix. A CD plus a CD bonus. A CD plus DVD bonus. A CD ROM. A CD single. A CD single 3 inches. A CD single 5 inches. A Video CD 5 Album NTSC. A Video CD 5 Album PAL. A Video CD audio compatible. A Combi-Pack. A DCC. A DCC Compilation. A DualDisc A DVD. A DVD Audio. A DVD Audio 5 Maxisingle. A DVD Audio Album. A DVD Audio 5 Single. A DVD-Rom. A DVD-Single. A DVD Video. A DVD Video 5 Maxisingle NTSC. A DVD Video 5 Maxisingle PAL. A DVD Video 5 Single NTSC. A DVD Video 5 Single PAL. A DVD Video Album NTSC. A DVD Video Album PAL. A DVD Video Album plus CD Album or CD Single. A Fan-Pack. An HD DVD Video Album. A laser disc long play 12 inches NTSC. An LP compilation identical to a CD compilation. An LP Compilation. An LP identical to a CD. An MC. An MC Compilation identical to a CD compilation. An MC Compilation. An MC double album. An MC EP. An MC identical to a CD. An MC LP. An MC maxisingle. An MC Remix. An MC single. An MC single identical to a CDS. A Memory Device Audio Album. A Memory Device Mix Audio/Video/Other Album. A Memory Device Video Album. A general merchandise. A MiniDisc. A MiniDisc Compilation. A MiniDisc EP. A MiniDisc Maxi Remix. A MiniDisc Single/ Maxi Single. A pre-paid card. Super Audio Compact Disc. A SACD Compilation. A SACD Album Stereo. A SACD Album Stereo/CD Audio. A SACD Album Stereo/Surround. A SACD Album Stereo/Surround/CD Audio. A SACD Album Surround/CD Audio. A SACD plus DVD Video. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A VideoCassette VHS NTSC. A VideoCassette VHS PAL. A VideoCassette VHS plus CD Album. A VideoCassette VHS SECAM. A Type of CD protection. Cactus Data Shield 100, as developed by Midbar Tech. Cactus Data Shield 200, as developed by Midbar Tech. Cactus Data Shield 300, as developed by Midbar Tech. The key2audio copy restriction system for Audio CDs, as developed by Sony DADC. The MediaMaxCD3 copy restriction system for Audio CDs, as developed by SunnComm. A CdProtectionType of a CD which is not protected. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Type of a Character. A central or primary Character in a storyline. This is sometimes referred to a category A character. A Character other than a MainCharacter or a SupportingCharacter. This is sometimes referred to a category C character. A Character that is not focused on by the storyline. SupportingCharacters may develop a complex back-story of their own, but this is usually in relation to the MainCharacter, rather than entirely independently. This is sometimes referred to a category B character. A Type of Compilation. A Compilation where the rights in all parts are controlled by the Label providing the mandate. A Compilation where some rights in a part are controlled by a Label not providing the mandate. A CompilationType of a Creation which is not a compilation. A Type of container according to its FileFormat. Audio Interchange File Format Audio Video Interleave. MPEG-4 Part 14 or MP4 file format, formally ISO/IEC 14496-14:2003. Multimedia container format maintained by the Xiph.Org Foundation QuickTime as developed by Apple Inc. Multimedia container format created by RealNetworks. Rich Music Format, as defined by Beatnik Inc. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. Waveform Audio File Format A Role played by a Contributor. A creative Role played by a Contributor in relation to a MusicalWork. An Author of adapted Lyrics of a MusicalWork. Note: The adapted Lyrics may or may not result in a new copyright Creation. A Designer of a building. A modifier of musical components of a Work. Note: The arranged MusicalWork may or may not result in a new copyright Creation. A Creator of written or spoken words which form part of a Resource. A Party largely quoted in works, but which is not a direct Contributor. An Author of an afterword. A Party creating a work by selecting, arranging, aggregating, and editing other works. A Creator of the musical elements of a MusicalWork. A Creator that plays the roles of Composer and Lyricist of a MusicalWork. A Party on whose original idea a work is based. A Maker of a Creation. An Author of dialogues. A Person presenting a thesis for an academic degree. A Creator of a print from an engraved printing plate. A Creator of a print from an etched printing plate. A Creator of an article for a magazine or a newspaper. A Designer of a land features and structures (e.g. in a park). A Creator of a libretto. A Creator of a print using lithography. A Creator of the Lyrics of a MusicalWork. A Creator of an engraved piece of metal (mainly for decorative purposes). A Creator of written or spoken words other than Lyrics. A Creator of a print using a plate. A Creator of a stageplay. A Creator of an account of an Event. A Party who is responsible for the review of a Creation. A Facsimilist specializing in rubrication. A Creator of a screenplay. A Creator of a sculpture. A Creator of arrangements made on behalf of a SubPublisher. A Creator who substitutes or modifies the existing Lyrics of a MusicalWork. A Party that translates Lyrics and/or Text from one Language into another. This is also known as sub-Lyricist. A Creator of a print using woodcuts. A Creator of a print using wood engravings. A Creator of textual material that accompanies audio or audiovisual material. A code representing a Currency. A code representing a Territory. This includes ISO 3166-1 two-letter codes and selected ISO 3166-2 codes, CISAC TIS codes, plus a code for Worldwide. A TerritoryId which is not a TerritoryId according to an ISO 3166 standard or the TIS standard. An Identifier which identifies all Territories in the world. A CurrencyCode which is not valid anymore. Cyprus Pound (deprecated). Kroon (deprecated). Lithuanian Litas (deprecated). Latvian Lats (deprecated). Maltese Lira (deprecated). Old Leu (deprecated). Tolar (deprecated). Slovak Koruna (deprecated). An ISO 3166-3 four-letter code representing a Territory, which is a replacement for a deprecated ISO 3166-1 code. French Afar and Issas, Name changed to Djibouti (DJ), (Source ISO 3166-3). Netherlands Antilles, Divided into: Bonaire, Sint Eustatius and Saba (BQ), Curaçao (CW), Sint Maarten (Dutch part) (SX), (Source ISO 3166-3). British Antarctic Territory, Merged into Antarctica (AQ), (Source ISO 3166-3). Burma, Name changed to Myanmar (MM), (Source ISO 3166-3). Byelorussian SSR, Name changed to Belarus (BY), (Source ISO 3166-3). Czechoslovakia, Divided into: Czech Republic (CZ), Slovakia (SK), (Source ISO 3166-3). Serbia and Montenegro, Divided into: Montenegro (ME), Serbia (RS), (Source ISO 3166-3). Canton and Enderbury Islands, Merged into Kiribati (KI), (Source ISO 3166-3). German Democratic Republic, Merged into Germany (DE), (Source ISO 3166-3). Dahomey, Name changed to Benin (BJ), (Source ISO 3166-3). French Southern and Antarctic Territories, Divided into: Part of Antarctica (AQ) (i.e., Adálie Land), French Southern Territories (TF), (Source ISO 3166-3). France, Metropolitan, Merged into France (FR), (Source ISO 3166-3). Gilbert and Ellice Islands, Divided into: Kiribati (KI), Tuvalu (TV), (Source ISO 3166-3). Upper Volta, Name changed to Burkina Faso (BF), (Source ISO 3166-3). Johnston Island, Merged into United States Minor Outlying Islands (UM), (Source ISO 3166-3). Midway Islands, Merged into United States Minor Outlying Islands (UM), (Source ISO 3166-3). New Hebrides, Name changed to Vanuatu (VU), (Source ISO 3166-3). Dronning Maud Land, Merged into Antarctica (AQ), (Source ISO 3166-3). Neutral Zone, Divided into: Part of Iraq (IQ), Part of Saudi Arabia (SA), (Source ISO 3166-3). Pacific Islands, Trust Territory of the, Divided into: Marshall Islands (MH), Micronesia, Federated States of (FM), Northern Mariana Islands (MP), Palau (PW), (Source ISO 3166-3). U.S. Miscellaneous Pacific Islands, Merged into United States Minor Outlying Islands (UM), (Source ISO 3166-3). Panama Canal Zone, Merged into Panama (PA), (Source ISO 3166-3). Southern Rhodesia, Name changed to Zimbabwe (ZW), (Source ISO 3166-3). Sikkim, Merged into India (IN), (Source ISO 3166-3). USSR, Divided into: Armenia (AM), Azerbaijan (AZ), Estonia (EE), Georgia (GE), Kazakhstan (KZ), Kyrgyzstan (KG), Latvia (LV), Lithuania (LT), Moldova, Republic of (MD), Russian Federation (RU), Tajikistan (TJ), Turkmenistan (TM), Uzbekistan (UZ), (Source ISO 3166-3). East Timor, Name changed to Timor-Leste (TL), (Source ISO 3166-3). Viet-Nam, Democratic Republic of, Merged into Viet Nam (VN), (Source ISO 3166-3). Wake Island, Merged into United States Minor Outlying Islands (UM), (Source ISO 3166-3). Yemen, Democratic, Merged into Yemen (YE), (Source ISO 3166-3). Yugoslavia, Name changed to Serbia and Montenegro (CS), (Source ISO 3166-3). Zaire, Name changed to Congo, the Democratic Republic of the (CD), (Source ISO 3166-3). A Type of Release according to its content, Duration and/or number of components. Note: a ReleaseType is the form in which a ReleaseCreator anticipates offering a Release to Consumers. A Release containing normally one SoundRecording. A studio Role played by a Contributor. A Party responsible for an artistic input to the production of a Resource (e.g. a SoundRecording or audiovisual recording). This is deprecated as an allowed value for a role code. DDEX advises that this value will be removed at a future date and therefore recommends against using it. Instead the code StudioProducer should be used. A Digitization mode of a Resource. A Digitization in which a Resource is created by analogue recording, analogue mixing and digital mastering. A Digitization in which a Resource is created by analogue recording, digital mixing and digital mastering. A Digitization in which a Resource is created by digital recording, digital mixing and digital mastering. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of governing agreement. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Type of HashSumAlgorithm. Cyclic Redundancy Check (33 bit length) The MD2 HashSumAlgorithm. The MD4 HashSumAlgorithm. The MD4(MLNET) HashSumAlgorithm. The MD5 HashSumAlgorithm. The MDC2 HashSumAlgorithm. The RMD160 HashSumAlgorithm. The SHA HashSumAlgorithm. The SHA1 HashSumAlgorithm. The SHA2 HashSumAlgorithm. A variant of the SHA-2 algorithm with 224 bit output. A variant of the SHA-2 algorithm with 256 bit output. The SHA3 HashSumAlgorithm. A variant of the SHA-3 algorithm with 384 bit output. A variant of the SHA-3 algorithm with 512 bit output. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. An ISO639-1 or 639-2 code representing a Language. Afar. Afar. Abkhazian. Abkhazian. Avestan. Avestan. Afrikaans. Afrikaans. Akan. Akan. Amharic. Amharic. Aragonese. Aragonese. Arabic. Arabic. Assamese. Assamese. Avaric. Avaric. Aymara. Aymara. Azerbaijani. Azerbaijani. Bashkir. Bashkir. Belarusian. Belarusian. Bulgarian. Bulgarian. Bihari. Bihari. Bislama. Bislama. Bambara. Bambara. Bengali. Bengali. Tibetan. Tibetan. Breton. Breton. Bosnian. Bosnian. Catalan or Valencian. Catalan or Valencian. Chechen. Chechen. Chamorro. Chamorro. Corsican. Corsican. Cree. Cree. Czech. Czech. Church Slavic or Old Slavonic or Church Slavonic or Old Bulgarian or Old Church Slavonic. Church Slavic or Old Slavonic or Church Slavonic or Old Bulgarian or Old Church Slavonic. Chuvash. Chuvash. Welsh. Welsh. Danish. Danish. German. German. Divehi or Dhivehi or Maldavian. Divehi or Dhivehi or Maldavian. Dzongkha. Dzongkha. Ewe. Ewe. Modern Greek (1453-). Modern Greek (1453-). English. English. Esperanto. Esperanto. Spanish or Castilian. Spanish or Castilian. Estonian. Estonian. Basque. Basque. Persian. Persian. Fulah. Fulah. Finnish. Finnish. Fijian. Fijian. Faroese. Faroese. French. French. Western Frisian. Western Frisian. Irish. Irish. Gaelic or Scottish Gaelic. Gaelic or Scottish Gaelic. Galician. Galician. Guarani. Guarani. Gujarati. Gujarati. Manx. Manx. Hausa. Hausa. Hebrew. Hebrew. Hindi. Hindi. Hiri Motu. Hiri Motu. Croatian. Croatian. Haitian or Haitian Creole. Haitian or Haitian Creole. Hungarian. Hungarian. Armenian. Armenian. Herero. Herero. Interlingua (International Auxiliary Language Association). Interlingua (International Auxiliary Language Association). Indonesian. Indonesian. Interlingue or Occidental. Interlingue or Occidental. Igbo. Igbo. Sichuan Yi or Nuosu. Sichuan Yi or Nuosu. Inupiaq. Inupiaq. Ido. Ido. Icelandic. Icelandic. Italian. Italian. Inuktitut. Inuktitut. Japanese. Japanese. Javanese. Javanese. Georgian. Georgian. Kongo. Kongo. Kikuyu or Gikuyu. Kikuyu or Gikuyu. Kuanyama or Kwanyama. Kuanyama or Kwanyama. Kazakh. Kazakh. Kalaallisut or Greenlandic. Kalaallisut or Greenlandic. Central Khmer. Central Khmer. Kannada. Kannada. Korean. Korean. Kanuri. Kanuri. Kashmiri. Kashmiri. Kurdish. Kurdish. Komi. Komi. Cornish. Cornish. Kirghiz or Kyrgyz. Kirghiz or Kyrgyz. Latin. Latin. Luxembourgish or Letzeburgesch. Luxembourgish or Letzeburgesch. Ganda. Ganda. Limburgan or Limburger or Limburgish. Limburgan or Limburger or Limburgish. Lingala. Lingala. Lao. Lao. Lithuanian. Lithuanian. Luba-Katanga. Luba-Katanga. Latvian. Latvian. Malagasy. Malagasy. Marshallese. Marshallese. Maori. Maori. Macedonian. Macedonian. Malayalam. Malayalam. Mongolian. Mongolian. Moldavian. This code has been withdrawn, recommending the code 'ro' also for Moldavian. Marathi. Marathi. Malay. Malay. Maltese. Maltese. Burmese. Burmese. Nauru. Nauru. Norwegian Bokmål Norwegian Bokmål North Ndebele. North Ndebele. Nepali. Nepali. Ndonga. Ndonga. Dutch or Flemish. Dutch or Flemish. Norwegian Nynorsk. Norwegian Nynorsk. Norwegian. Norwegian. South Ndebele. South Ndebele. Navajo or Navaho. Navajo or Navaho. Chichewa or Chewa or Nyanja. Chichewa or Chewa or Nyanja. Occitan (post 1500). Occitan (post 1500). Ojibwa. Ojibwa. Oromo. Oromo. Oriya. Oriya. Ossetian or Ossetic. Ossetian or Ossetic. Panjabi or Punjabi. Panjabi or Punjabi. Pali. Pali. Polish. Polish. Pushto or Pashto. Pushto or Pashto. Portuguese. Portuguese. Quechua. Quechua. Romansh. Romansh. Rundi. Rundi. Romanian. Romanian. Russian. Russian. Kinyarwanda. Kinyarwanda. Sanskrit. Sanskrit. Sardinian. Sardinian. Sindhi. Sindhi. Northern Sami. Northern Sami. Sango. Sango. Sinhala or Sinhalese. Sinhala or Sinhalese. Slovak. Slovak. Slovenian. Slovenian. Samoan. Samoan. Shona. Shona. Somali. Somali. Albanian. Albanian. Serbian. Serbian. Swati. Swati. Southern Sotho. Southern Sotho. Sundanese. Sundanese. Swedish. Swedish. Swahili. Swahili. Tamil. Tamil. Telugu. Telugu. Tajik. Tajik. Thai. Thai. Tigrinya. Tigrinya. Turkmen. Turkmen. Tagalog. Tagalog. Tswana. Tswana. Tonga (Tonga Islands). Tonga (Tonga Islands). Turkish. Turkish. Tsonga. Tsonga. Tatar. Tatar. Twi. Twi. Tahitian. Tahitian. Uighur. Uighur. Ukrainian. Ukrainian. Urdu. Urdu. Uzbek. Uzbek. Venda. Venda. Vietnamese. Vietnamese. Volapük. Volapük. Walloon. Walloon. Wolof. Wolof. Xhosa. Xhosa. Yiddish. Yiddish. Yoruba. Yoruba. Zhuang or Chuang. Zhuang or Chuang. Chinese. Chinese. Zulu. Zulu. Achinese Acoli Adangme Adyghe; Adygei Afro-Asiatic languages Afrihili Ainu Akkadian Aleut Algonquian languages Southern Altai English, Old (ca.450-1100) Angika Apache languages Official Aramaic (700-300 BCE); Imperial Aramaic (700-300 BCE) Mapudungun; Mapuche Arapaho Artificial languages Arawak Asturian; Bable; Leonese; Asturleonese Athapascan languages Australian languages Awadhi Banda languages Bamileke languages Baluchi Balinese Basa Baltic languages Beja; Bedawiyet Bemba Berber languages Bhojpuri Bikol Bini; Edo Siksika Bantu languages Braj Batak languages Buriat Buginese Blin; Bilin Caddo Central American Indian languages Galibi Carib Caucasian languages Cebuano Celtic languages Chibcha Chagatai Chuukese Mari Chinook jargon Choctaw Chipewyan; Dene Suline Cherokee Cheyenne Chamic languages Coptic Creoles and pidgins, English based Creoles and pidgins, French-based Creoles and pidgins, Portuguese-based Crimean Tatar; Crimean Turkish Creoles and pidgins Kashubian Cushitic languages Dakota Dargwa Land Dayak languages Delaware Slave (Athapascan) Dogrib Dinka Dogri Dravidian languages Lower Sorbian Duala Dutch, Middle (ca.1050-1350) Dyula Efik Egyptian (Ancient) Ekajuk Elamite English, Middle (1100-1500) Ewondo Fang Fanti Filipino; Pilipino Finno-Ugrian languages Fon French, Middle (ca.1400-1600) French, Old (842-ca.1400) Northern Frisian Eastern Frisian Friulian Ga Gayo Gbaya Germanic languages Geez Gilbertese German, Middle High (ca.1050-1500) German, Old High (ca.750-1050) Gondi Gorontalo Gothic Grebo Greek, Ancient (to 1453) Swiss German; Alemannic; Alsatian Gwich'in Haida Hawaiian Hiligaynon Himachali languages; Western Pahari languages Hittite Hmong; Mong Upper Sorbian Hupa Iban Ijo languages Iloko Indic languages Indo-European languages Ingush Iranian languages Iroquoian languages Lojban Judeo-Persian Judeo-Arabic Kara-Kalpak Kabyle Kachin; Jingpho Kamba Karen languages Kawi Kabardian Khasi Khoisan languages Khotanese; Sakan Kimbundu Konkani Kosraean Kpelle Karachay-Balkar Karelian Kru languages Kurukh Kumyk Kutenai Ladino Lahnda Lamba Lezghian Mongo Lozi Luba-Lulua Luiseno Lunda Luo (Kenya and Tanzania) Lushai Madurese Magahi Maithili Makasar Mandingo Austronesian languages Masai Moksha Mandar Mende Irish, Middle (900-1200) Mi'kmaq; Micmac Minangkabau Uncoded languages Mon-Khmer languages Manchu Manipuri Manobo languages Mohawk Mossi Multiple languages Munda languages Creek Mirandese Marwari Mayan languages Erzya Nahuatl languages North American Indian languages Neapolitan Low German; Low Saxon; German, Low; Saxon, Low Nepal Bhasa; Newari Nias Niger-Kordofanian languages Niuean Nogai Norse, Old N'Ko Pedi; Sepedi; Northern Sotho Nubian languages Classical Newari; Old Newari; Classical Nepal Bhasa Nyamwezi Nyankole Nyoro Nzima Osage Turkish, Ottoman (1500-1928) Otomian languages Papuan languages Pangasinan Pahlavi Pampanga; Kapampangan Papiamento Palauan Persian, Old (ca.600-400 B.C.) Philippine languages Phoenician Pohnpeian Prakrit languages Provençal, Old (to 1500);Occitan, Old (to 1500) Reserved for local use Rajasthani Rapanui Rarotongan; Cook Islands Maori Romance languages Romany Aromanian; Arumanian; Macedo-Romanian Sandawe Yakut South American Indian languages Salishan languages Samaritan Aramaic Sasak Santali Sicilian Scots Selkup Semitic languages Irish, Old (to 900) Sign Languages Shan Sidamo Siouan languages Sino-Tibetan languages Slavic languages Southern Sami Sami languages Lule Sami Inari Sami Skolt Sami Soninke Sogdian Songhai languages Sranan Tongo Serer Nilo-Saharan languages Sukuma Susu Sumerian Classical Syriac Syriac Tai languages Timne Tereno Tetum Tigre Tiv Tokelau Klingon; tlhIngan-Hol Tlingit Tamashek Tonga (Nyasa) Tok Pisin Tsimshian Tumbuka Tupi languages Altaic languages Tuvalu Tuvinian Udmurt Ugaritic Umbundu Undetermined Vai Votic Wakashan languages Wolaitta; Wolaytta Waray Washo Sorbian languages Kalmyk; Oirat Yao Yapese Yupik languages Zapotec Blissymbols; Blissymbolics; Bliss Zenaga Standard Moroccan Tamazight Zande languages Zuni No linguistic content; Not applicable Zaza; Dimili; Dimli; Kirdki; Kirmanjki; Zazaki An ISO639-3 code representing a Language (Source: www.sil.org/iso639-3/). Rajasthani. Bhojpuri. Ghotuo An ISO4217 three-letter code representing a Currency. UAE Dirham. Afghani. Lek. Armenian Dram. Netherlands Antillean Guilder. Kwanza. Argentine Peso. Australian Dollar. Aruban Florin. Azerbaijanian Manat. Convertible Mark. Barbados Dollar. Taka. Bulgarian Lev. Bahraini Dinar. Burundi Franc. Bermudian Dollar. Brunei Dollar. Boliviano. Mvdol. Brazilian Real. Bahamian Dollar. Ngultrum. Pula. Belarusian Ruble. Belize Dollar. Canadian Dollar. Congolese Franc. Swiss Franc. Unidad de Fomento. Chilean Peso. Yuan Renminbi. Colombian Peso. Unidad de Valor Real. Costa Rican Colón. Peso Convertible. Cuban Peso. Cabo Verde Escudo. Czech Koruna. Djibouti Franc. Danish Krone. Dominican Peso. Algerian Dinar. Egyptian Pound. Nakfa. Ethiopian Birr. Euro. Fiji Dollar. Falkland Islands Pound. Pound Sterling. Lari. Ghana Cedi. Gibraltar Pound. Dalasi. Guinea Franc. Quetzal. Guyana Dollar. Hong Kong Dollar. Lempira. Kuna. Gourde. Forint. Rupiah. New Israeli Sheqel. Indian Rupee. Iraqi Dinar. Iranian Rial. Iceland Króna. Jamaican Dollar. Jordanian Dinar. Yen. Kenyan Shilling. Som. Riel. Comoro Franc. North Korean Won. Won. Kuwaiti Dinar. Cayman Islands Dollar. Tenge. Kip. Lebanese Pound. Sri Lanka Rupee. Liberian Dollar. Loti. Libyan Dinar. Moroccan Dirham. Moldovan Leu. Malagasy Ariary. Denar. Kyat. Tugrik. Pataca. Ouguiya. Mauritius Rupee. Rufiyaa. Malawi Kwacha. Mexican Peso. Mexican Unidad de Inversion (UDI). Malaysian Ringgit. Mozambique Metical. Namibia Dollar. Naira. Córdoba Oro. Norwegian Krone. Nepalese Rupee. New Zealand Dollar. Rial Omani. Balboa. Sol. Kina. Philippine Peso. Pakistan Rupee. Zloty. Guarani. Qatari Rial. Romanian Leu. Serbian Dinar. Russian Ruble. Rwanda Franc. Saudi Riyal. Solomon Islands Dollar. Seychelles Rupee. Sudanese Pound. Swedish Krona. Singapore Dollar. Saint Helena Pound. Leone. Somali Shilling. Surinam Dollar. South Sudanese Pound. Dobra. El Salvador Colón. Syrian Pound. Lilangeni. Baht. Somoni. Turkmenistan New Manat. Tunisian Dinar. Pa'anga. Turkish Lira. Trinidad and Tobago Dollar. New Taiwan Dollar. Tanzanian Shilling. Hryvnia. Uganda Shilling. US Dollar. Uruguay Peso en Unidades Indexadas. Peso Uruguayo. Uzbekistan Sum. Bolívar. Dong. Vatu. Tala. CFA Franc BEAC. East Caribbean Dollar. CFA Franc BCEAO. CFP Franc. Yemeni Rial. Rand. Zambian Kwacha. Zimbabwe Dollar. An ISO639 code representing a Language (Source of 639-3 codes: www.sil.org/iso639-3/). An ISO 3166-1 two-letter code representing a country or an ISO 3166-2 code representing a principal subdivision of a country. ISO 3166-2 codes consist of two parts separated by a hyphen: an ISO 3166-1 code and a string of up to three characters. Note: only selected ISO 3166-2 codes are included. Andorra (Source:ISO 3166-1). The United Arab Emirates (Source:ISO 3166-1). Afghanistan (Source:ISO 3166-1). Antigua and Barbuda (Source:ISO 3166-1). Anguilla (Source:ISO 3166-1). Albania (Source:ISO 3166-1). Armenia (Source:ISO 3166-1). Netherlands Antilles (Source:ISO 3166-1). This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. Angola (Source:ISO 3166-1). Antarctica (Source:ISO 3166-1). Argentina (Source:ISO 3166-1). American Samoa (Source:ISO 3166-1). Austria (Source:ISO 3166-1). Australia (Source:ISO 3166-1). Aruba (Source:ISO 3166-1). Åland Islands (Source:ISO 3166-1). Azerbaijan (Source:ISO 3166-1). Bosnia and Herzegovina (Source:ISO 3166-1). Barbados (Source:ISO 3166-1). Bangladesh (Source:ISO 3166-1). Belgium (Source:ISO 3166-1). Burkina Faso (Source:ISO 3166-1). Bulgaria (Source:ISO 3166-1). Bahrain (Source:ISO 3166-1). Burundi (Source:ISO 3166-1). Benin (Source:ISO 3166-1). Saint Barthélemy (Source:ISO 3166-1). Bermuda (Source:ISO 3166-1). Brunei (Source:ISO 3166-1). Bolivia (Source:ISO 3166-1). Bonaire, Sint Eustatius and Saba (Source:ISO 3166-1). Brazil (Source:ISO 3166-1). The Bahamas (Source:ISO 3166-1). Bhutan (Source:ISO 3166-1). Bouvet Island (Source:ISO 3166-1). Botswana (Source:ISO 3166-1). Belarus (Source:ISO 3166-1). Belize (Source:ISO 3166-1). Canada (Source:ISO 3166-1). Cocos Islands (Source:ISO 3166-1). The Democratic Republic of the Congo (Source:ISO 3166-1). The Central African Republic (Source:ISO 3166-1). The Congo (Source:ISO 3166-1). Switzerland (Source:ISO 3166-1). Côte d'Ivoire (Source:ISO 3166-1). Cook Islands (Source:ISO 3166-1). Chile (Source:ISO 3166-1). Cameroon (Source:ISO 3166-1). China (Source:ISO 3166-1). Colombia (Source:ISO 3166-1). Costa Rica (Source:ISO 3166-1). Czechslovakia (until 1993) or Serbia and Montenegro (2003-2006) (Source:ISO 3166-1). This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. Cuba (Source:ISO 3166-1). Cape Verde (Source:ISO 3166-1). Curaçao (Source:ISO 3166-1). Christmas Island (Source:ISO 3166-1). Cyprus (Source:ISO 3166-1). The Czech Republic (Source:ISO 3166-1). Germany (Source:ISO 3166-1). Djibouti (Source:ISO 3166-1). Denmark (Source:ISO 3166-1). Dominica (Source:ISO 3166-1). The Dominican Republic (Source:ISO 3166-1). Algeria (Source:ISO 3166-1). Ecuador (Source:ISO 3166-1). Estonia (Source:ISO 3166-1). Egypt (Source:ISO 3166-1). Western Sahara (Source:ISO 3166-1). Eritrea (Source:ISO 3166-1). Spain (Source:ISO 3166-1). Ceuta, Spain (Source:ISO 3166-2). Canary Islands, Spain (Source:ISO 3166-2). Melilla, Spain (Source:ISO 3166-2). Ethiopia (Source:ISO 3166-1). Finland (Source:ISO 3166-1). Fiji (Source:ISO 3166-1). Falkland Islands (Source:ISO 3166-1). Micronesia (Source:ISO 3166-1). Faroe Islands (Source:ISO 3166-1). France (Source:ISO 3166-1). Gabon (Source:ISO 3166-1). The United Kingdom (Source:ISO 3166-1). Grenada (Source:ISO 3166-1). Georgia (Source:ISO 3166-1). French Guiana (Source:ISO 3166-1). Guernsey (Source:ISO 3166-1). Ghana (Source:ISO 3166-1). Gibraltar (Source:ISO 3166-1). Greenland (Source:ISO 3166-1). The Gambia (Source:ISO 3166-1). Guinea (Source:ISO 3166-1). Guadeloupe (Source:ISO 3166-1). Equatorial Guinea (Source:ISO 3166-1). Greece (Source:ISO 3166-1). South Georgia and The South Sandwich Islands (Source:ISO 3166-1). Guatemala (Source:ISO 3166-1). Guam (Source:ISO 3166-1). Guinea-Bissau (Source:ISO 3166-1). Guyana (Source:ISO 3166-1). Hong Kong (Source:ISO 3166-1). Heard Island and McDonald Islands (Source:ISO 3166-1). Honduras (Source:ISO 3166-1). Croatia (Source:ISO 3166-1). Haiti (Source:ISO 3166-1). Hungary (Source:ISO 3166-1). Indonesia (Source:ISO 3166-1). Ireland (Source:ISO 3166-1). Israel (Source:ISO 3166-1). Isle of Man (Source:ISO 3166-1). India (Source:ISO 3166-1). The British Indian Ocean Territory (Source:ISO 3166-1). Iraq (Source:ISO 3166-1). Iran (Source:ISO 3166-1). Iceland (Source:ISO 3166-1). Italy (Source:ISO 3166-1). Jersey (Source:ISO 3166-1). Jamaica (Source:ISO 3166-1). Jordan (Source:ISO 3166-1). Japan (Source:ISO 3166-1). Kenya (Source:ISO 3166-1). Kyrgyzstan (Source:ISO 3166-1). Cambodia (Source:ISO 3166-1). Kiribati (Source:ISO 3166-1). The Comoros (Source:ISO 3166-1). Saint Kitts and Nevis (Source:ISO 3166-1). The Democratic People's Republic of Korea (Source:ISO 3166-1). The Republic of Korea (Source:ISO 3166-1). Kuwait (Source:ISO 3166-1). Cayman Islands (Source:ISO 3166-1). Kazakhstan (Source:ISO 3166-1). Laos (Source:ISO 3166-1). Lebanon (Source:ISO 3166-1). Saint Lucia (Source:ISO 3166-1). Liechtenstein (Source:ISO 3166-1). Sri Lanka (Source:ISO 3166-1). Liberia (Source:ISO 3166-1). Lesotho (Source:ISO 3166-1). Lithuania (Source:ISO 3166-1). Luxembourg (Source:ISO 3166-1). Latvia (Source:ISO 3166-1). Libya (Source:ISO 3166-1). Morocco (Source:ISO 3166-1). Monaco (Source:ISO 3166-1). Moldova (Source:ISO 3166-1). Montenegro (Source:ISO 3166-1). Saint Martin (Source:ISO 3166-1). Madagascar (Source:ISO 3166-1). The Marshall Islands (Source:ISO 3166-1). Macedonia (Source:ISO 3166-1). Mali (Source:ISO 3166-1). Myanmar (Source:ISO 3166-1). Mongolia (Source:ISO 3166-1). Macao (Source:ISO 3166-1). Northern Mariana Islands (Source:ISO 3166-1). Martinique (Source:ISO 3166-1). Mauritania (Source:ISO 3166-1). Montserrat (Source:ISO 3166-1). Malta (Source:ISO 3166-1). Mauritius (Source:ISO 3166-1). Maldives (Source:ISO 3166-1). Malawi (Source:ISO 3166-1). Mexico (Source:ISO 3166-1). Malaysia (Source:ISO 3166-1). Mozambique (Source:ISO 3166-1). Namibia (Source:ISO 3166-1). New Caledonia (Source:ISO 3166-1). The Niger (Source:ISO 3166-1). Norfolk Island (Source:ISO 3166-1). Nigeria (Source:ISO 3166-1). Nicaragua (Source:ISO 3166-1). The Netherlands (Source:ISO 3166-1). Norway (Source:ISO 3166-1). Nepal (Source:ISO 3166-1). Nauru (Source:ISO 3166-1). Niue (Source:ISO 3166-1). New Zealand (Source:ISO 3166-1). Oman (Source:ISO 3166-1). Panama (Source:ISO 3166-1). Peru (Source:ISO 3166-1). French Polynesia (Source:ISO 3166-1). Papua New Guinea (Source:ISO 3166-1). The Philippines (Source:ISO 3166-1). Pakistan (Source:ISO 3166-1). Poland (Source:ISO 3166-1). Saint Pierre and Miquelon (Source:ISO 3166-1). Pitcairn (Source:ISO 3166-1). Puerto Rico (Source:ISO 3166-1). The Occupied Palestinian Territory (Source:ISO 3166-1). Portugal (Source:ISO 3166-1). Palau (Source:ISO 3166-1). Paraguay (Source:ISO 3166-1). Qatar (Source:ISO 3166-1). Réunion (Source:ISO 3166-1). Romania (Source:ISO 3166-1). Serbia (Source:ISO 3166-1). Russia (Source:ISO 3166-1). Rwanda (Source:ISO 3166-1). Saudi Arabia (Source:ISO 3166-1). Solomon Islands (Source:ISO 3166-1). Seychelles (Source:ISO 3166-1). The Sudan (Source:ISO 3166-1). Sweden (Source:ISO 3166-1). Singapore (Source:ISO 3166-1). Saint Helena (Source:ISO 3166-1). Slovenia (Source:ISO 3166-1). Svalbard and Jan Mayen (Source:ISO 3166-1). Slovakia (Source:ISO 3166-1). Sierra Leone (Source:ISO 3166-1). San Marino (Source:ISO 3166-1). Senegal (Source:ISO 3166-1). Somalia (Source:ISO 3166-1). Suriname (Source:ISO 3166-1). South Soudan (Source:ISO 3166-1). Sao Tome and Principe (Source:ISO 3166-1). El Salvador (Source:ISO 3166-1). Sint Maarten (Source:ISO 3166-1). Syria (Source:ISO 3166-1). Swaziland (Source:ISO 3166-1). Turks and Caicos Islands (Source:ISO 3166-1). Chad (Source:ISO 3166-1). The French Southern Territories (Source:ISO 3166-1). Togo (Source:ISO 3166-1). Thailand (Source:ISO 3166-1). Tajikistan (Source:ISO 3166-1). Tokelau (Source:ISO 3166-1). Timor-Leste (Source:ISO 3166-1). Turkmenistan (Source:ISO 3166-1). Tunisia (Source:ISO 3166-1). Tonga (Source:ISO 3166-1). Turkey (Source:ISO 3166-1). Trinidad and Tobago (Source:ISO 3166-1). Tuvalu (Source:ISO 3166-1). Taiwan (Source:ISO 3166-1). Tanzania (Source:ISO 3166-1). Ukraine (Source:ISO 3166-1). Uganda (Source:ISO 3166-1). United States Minor Outlying Islands (Source:ISO 3166-1). The United States (Source:ISO 3166-1). Uruguay (Source:ISO 3166-1). Uzbekistan (Source:ISO 3166-1). The Holy See (Source:ISO 3166-1). Saint Vincent and The Grenadines (Source:ISO 3166-1). Venezuela (Source:ISO 3166-1). British Virgin Islands (Source:ISO 3166-1). US Virgin Islands (Source:ISO 3166-1). Viet Nam (Source:ISO 3166-1). Vanuatu (Source:ISO 3166-1). Wallis and Futuna (Source:ISO 3166-1). Samoa (Source:ISO 3166-1). Yemen (Source:ISO 3166-1). Mayotte (Source:ISO 3166-1). South Africa (Source:ISO 3166-1). Zambia (Source:ISO 3166-1). Zimbabwe (Source:ISO 3166-1). A Type of LabelName. A Name of a Label provided for search, discovery and display purposes. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Type of membership. A Party which has assigned relevant rights to a claiming society for the Territory of the claiming society. A Party which has assigned relevant rights to a claiming society for several Territories. A Party which has assigned relevant rights to a claiming society for the world. A Type of Message according to its operational status. A Message containing data which is expected to be used for commercial purposes. A Message containing data which is expected to be used for testing purposes. A Type of Message in the Music Licensing Company Message Suite. A Message in the Music Licensing Company Message Suite Standard containing details of a SoundRecording. A Message in the Music Licensing Company Message Suite Standard containing a request for a declaration of SoundRecordings. A Message in the Music Licensing Company Message Suite Standard in which a claim, typically communicated via a DeclarationOfSoundRecordingRightsClaimMessage, is revoked. A Message in the Music Licensing Company Message Suite Standard used by one Music Licensing Company to inform a second Music Licensing Company about unit sales of Releases in electronic or physical formats. A Message in the Music Licensing Company Message Suite Standard containing a declaration of Revenue from the usage of Releases. A Role played by a Contributor in relation to a MusicalWork. A studio Role played by a Contributor. An Engineer that has worked on a smaller percentage of a project tham the main Engineer. A Party who trains and looks after animals. A Party who creates an animated work. A Party who makes annotations on a manuscript. A Party responsible for searching new artists for a record label (artist and repertoire coordinator). A Party responsible for the supply and safety of weapons in a production. A Director who oversees the artists and craftspeople who build the sets. An Engineer responsible for the recording of Artist Background Vocals. An Engineer responsible for the process of recording vocals on a project and dealing with technical issues and decisions. He or she operates the recording equipment (or supervises the operation of the recording equipment) during vocal Performances and makes aesthetic choices in order to obtain the sound and concepts the artist and producer are looking for. An assistant of an ArtistVocalEngineer. An assitant of a CameraOperator. A Party who is the second head of the LightingTechnicians. An assistant of a Director. A Party who is delegated some area of responsibility on a project, but reports to the Producer or CoProducer(s). An assitant of a VisualEditor. A Party who trains Performers in the development of aural skills. A Party who binds an item. A Designer of a book binding. A Designer of a book (including arrangement of type and illustration, choice of materials, etc.). A Designer of a dust jacket for a book. A Designer of a bookplate (an identification label commonly on the inside front cover of books). A producer of a book. A Party providing general support in the production of a radio programme. A Party working as a Journalist for a broadcast programme. A Party operating a camera. A Party who carries out woodwork. A Party selecting talent (actors, singers, dancers, etc.). An Editor who examines Creations and removes objectionable content. A Party who is the head of the LightingTechnicians. A Creator of a dance. A Party who operates the clapboard at the beginning of a shot. An ExecutiveProducer who is not the only ExecutiveProducer. A Party commissioning material for a broadcast programme. A producer responsible for supervising and/or exercising control over the work assigned to other Producers, Engineers, and others on the project. A Party giving professional advice on matters of production technique or on content who does not appear in the programme. A Party who checks the continuity of a series of camera shots. A Party who is hired to perform work. A producer who is sharing some or all of a producer's responsabilities with a Producer or another CoProducer. A Party who is the writer of a letter or other communication. A Designer of a costume. A Designer of a cover. A Creator of a design. A Party who helps train an actor in diction and/or the use of dialects. An Engineer is responsible for the operation of a Digital Audio Workstation (DAW) during recording and mix sessions including the archiving and maintenance of the recorded material (basically data files). The DigitalAudioWorkstationEngineer is not generally called upon to make major aesthetic judgments. An Engineer responsible for operating equipment for editing (in today’s world generally a digital audio workstation). They can, from time to time, be called on to make aesthetic choices. An assistant of a DigitalEditingEngineer. A Party who leads or supervises actors, e.g. in the prodution of a movie. A Party responsible for the functioning and maintenance of digital recordings using Direct Stream Digital format equipment. An Organization responsible for delivering material provided by a ProductionCompany. A Party who helps an actor to put on and take off a costume. A Creator who adds the dubbing into a Resource. A Party responsible for the preparation of a publication. The head of editorial staff. A Party responsible for the preparation of a news broadcast of the day. A Creator processing and encoding a Resource for distribution. A Party that is responsible for technical aspects. This includes RecordingEngineer, but may also cover roles in other content production processes. A Party who secures funding for a project. He or she may be responsible for the overall concept. He or she may monitor the project from time to time to ensure that the producer and Artist are on track. A Party who contributes his expertise to a programme. A Director responsible for the choreography of fight scenes. A Director of a movie. A Publisher of films. A Party who edits an audio-visual production for publishing. A Party (individual or company) that is responsible for the financing of an audio-visual production. A Party that is responsible for (part of) the soundtrack used in an audio-visual Resource. A Party acting on the studio floor on behalf of the Director. A CameraOperator who adjusts the focus of the camera. A Party who creates incidental sound effects in post-production. A Party who edits sound effects created by a FoleyArtist. A SoundMixer who works with a FoleyArtist to create sound effects. A Party drawing pictures or picture elements as content for programmes. A Designer of graphical elements. A Party procuring and maintaining vegetation on a set. A Party supporting CameraOperators and LightingTechnicians with specialized equipment (e.g. camera cranes). A Party who prepares the hair of an Actor. A Party that initiates the creation of a SoundRecording or Resource and is sometimes referred to as a commissioning rights holder. An InitialProducer may be a Person or an Organization and the term contrasts with the role of a StudioProducer. A Party who is the head of the Grips. A Party who is responsible for the crew in charge of the set decoration. A Party responsible for the lighting. A Party operating lighting equipment. A Party managing all aspects relating to filming in specific places. A Party who prepares the make up of an Actor. A Party responsible for manufacturing a device or a piece of technical equipment. An Engineer who is the last creative bridge between the mix process and the distribution process. He or she generally works with a final mix of a project and makes final adjustments to the sound before distribution while maintaining the vision of the artist, producer and label. An assistant of a MasteringEngineer. A Party who creates artworks used in making scenery and locations that do not exist. An Engineer combining different audio recording elements into a final version. An assistant of a MixingEngineer. A Director responsible for music in the production of a film or a radio program. A producer of a news program. An Engineer combining different audio recordings into an overdub. An assistant of an OverdubEngineer. A Director responsible for photography. A producer responsible for post-production processes. A Party responsible for the functioning and maintenance of digital recorders and digital audio workstations. A producer responsible for pre-production processes. An Engineer involved in pre-production processes. An Organization responsible for a production. A department of a ProductionCompany responsible for a production. A Person who coordinates a production. A Party providing secretarial support in a production. A producer of a program, e.g. a TV or radio program. A Party responsible for purchasing, acquiring and/or manufacturing anything needed for a production. A Party responsible for the coherence and continuity of a publication. A Party operating equipment to produce fire and explosions. A Party supervising the technical aspects of a sound or video recording Session. An assistant of a RecordingEngineer. An Editor who prepares text for publication. A producer of a reissue of a SoundRecording. A MixingEngineer who creates a finished product that is different from the original master album or single mix, e.g. a Dance Remix, Radio Remix, Rock Remix. An assistant of a RemixingEngineer. A Party who coaches ballet Dancers or opera singers. A Party responsible for researching a project (e.g. gathering ideas, background information etc.). The head of a team of Researchers. A member of a team of Researchers. A Party responsible for restaging a Work (with minimal contribution to the content). A Grip operating equipment to satisfy rigging needs on a set. A RightsController as it appears on a product. A Party who is a junior member of the production team doing all kinds of supporting jobs. A Party in charge of a studio set. A Party providing scientific advice. A Party who tracks the progress of a production based on a script. An assistant of an AssistantCameraOperator. An assistant of an AssistantDirector. An Engineer responsible for assisting another Engineer(s). They often keep all logs of Sessions and materials and operate equipment. They should also have enough engineering skills that they can step in for an Engineer in case of an absence. A Director in charge of the second unit in a film production. A Party (individual or company) that is responsible for the production of a series. A Designer of a setting for a scene. A Party in charge of decorating a set in a production. A Party responsible for sound production. A Party operating audio equipment to capture sound. A Party operating audio equipment to record sound. A Party creating special effects. A Party giving financial support for an Event or a Creation. A Director of a stageplay. An Engineer responsible for the process of recording an Orchestra on a project and dealing with technical issues and decisions. The StringEngineer operates the recording equipment (or oversees the operation of the recording equipment) during orchestral Performances and makes aesthetic choices in order to get the sound and concepts the artist and producer are looking for. A StudioProducer working with the individual instruments/elements of the recording and not the overall production. A Party working as a Conductor in a studio. A Party who is employed in a studio and contributes to the making of a Resource. A Party who directs, and has overall creative and technical oversight of, the entire recording project and the individual recording sessions that are a part of the project. The StudioProducer participates in and/or supervises the recording session and works directly with the Artist, Musicians and Engineers. The StudioProducer makes creative, technical and aesthetic decisions that realize the goals of both the Artist and the SoundRecording CopyrightHolder in the creation of musical content. The producer may perform, direct Performances, choose final takes or versions, and oversees the selection of songs, Musicians, singers, Arrangers, studios, etc. The StudioProducer in collaboration with the artist, assigns credits to Performers and technical personnel, and is responsible for supplying accurate crediting information to the record label or media company as official documentation. Other duties of the StudioProducer may include, but are not limited to, overseeing other staffing needs, keeping budgets and schedules, adhering to deadlines, supervising mastering and overall quality control. Note: a ddexStudio:Producer is a Person and thus may contrast with the role of an InitialProducer. A Party that is responsible for the creation of SubTitles/captions. A Translator of SubTitles. A Party in charge of cueing and preparing video inserts into a program. A Party responsible for technical aspects of a production. An Engineer who is a graduate of an official Tonmeister program that includes score reading and electronics training as well education in recording, mixing and editing techniques. A Party supervising the technical aspects of a tracking Session. An assistant of a TrackingEngineer. A Party supervising the technical aspects of a transfers and safeties Session. An assistant of a Transfers&SafetiesEngineer. A Party responsible for managing drivers and co-ordinating the transportation in a production. A Party writing summaries of various aspects of a production. A Party in charge of a video production. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Party (individual or company) that is responsible for the financing of a Video. A Party operating video equipment to mix video feeds. An Editor who prepares video or film footage. A Party producing visual effects. A producer with overall creative and technical control of the vocal recording on a project and the individual recording Sessions that are a part of that project. He or she is present in the recording studio or at the location recording and works directly with the vocalist(s) and engineer. The VocalProducer makes creative and aesthetic decisions that realize the goals of both the artist and the label goals in the creation of the vocals. A Party responsible for managing clothes and/or costumes. A Type of PLine. A (P) RightsNotice for an original Creation. A (P) RightsNotice for a remastered Creation. A Type of Creation according to advice which it carries about the level of explicitness or offensiveness of its content. A ParentalWarningType of a Creation which contains sexual, violent or other explicit material. A ParentalWarningType of a Creation in which sexual or other explicit material has been edited. A ParentalWarningType of a Creation for which no advice about sexual or other explicit content is available. A ParentalWarningType of a Creation which contains no sexual, violent or other explicit material. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Type of use that is the purpose of an action. A MusicalWorkSoundRecording used as background. A MusicalWorkSoundRecording used as a channel trailer. A Fragment of a Resource. A MusicalWorkSoundRecording used as a film trailer. A MusicalWorkSoundRecording used as foreground. A MusicalWorkSoundRecording used as a Trailer. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. An Organization that issues parental warnings. The Australian Communications and Media Authority. Alberta Film Ratings of Canada. The Autorità per le Garanzie nelle Comunicazioni of Italy. The Asociación Nacional de Televisión of Chile. The British Board of Film Classification of the United Kingdom. The British Columbia Film Classification Office of Canada. The Board of Film and Stage Cassification of Malta. The Board of Film and Video Censors of Thailand. The Bundesministerium für Unterricht, Kunst und Kultur of Austria. The Central Board of Film Certification of India. The Canadian Broadcast Standards Council of Canada. The Canadian Broadcast Standards Council (French system) of Canada. The Consejo de Calificación Cinematográfica of Chile. The Comissão de Classificação de Espectáculos of Portugal. The Canadian Home Video Rating System of Canada. The CICF as specified at http://www.movielabs.com/md/ratings/v2.1/html/BE_CICF_Ratings.html. The Consiliul Naţional al Audiovizualului of Romania. The Commission de Classification of the CNC of France. The Consumer Protection British Columbia of Canada. The Conseil Supérieur de l'Audiovisuel of France. The Commission de Surveillance de la Classification des Films of Luxembourg. The Departamento de Justiça, Classificação, Títulos e Qualificação of Brazil. Eirin of Japan. The Entertainment Software Rating Board. The Film Advisory Board of the USA. The Film Censorship Board of Malaysia. The Office for Film, Newspaper and Article Administration of the Commerce and Economic Development Bureau of Hong Kong. Film of Switzerland as specified at http://www.movielabs.com/md/ratings/v2.2.6/html/CH_Film_Ratings.html. Film of the Czech Republic as specified at http://www.movielabs.com/md/ratings/v2.2.6/html/CZ_Film_Ratings.html. Film of Egypt as specified at http://www.movielabs.com/md/ratings/v2.2.6/html/EG_Film_Ratings.html. Film of Estonia as specified at http://www.movielabs.com/md/ratings/v2.2.6/html/EE_Film_Ratings.html. Film of Greece as specified at http://www.movielabs.com/md/ratings/v2.2.6/html/GR_Film_Ratings.html. Film of Peru as specified at http://www.movielabs.com/md/ratings/v2.2.6/html/PE_Film_Ratings.html. Film of Slovakia as specified at http://www.movielabs.com/md/ratings/v2.2.6/html/SK_Film_Ratings.html. Filmtilsynet of Norway. The Film and Publication Board of South Africa. The Film Review Board of Israel. The Freiwillige Selbstkontrolle der Filmwirtschaft of Germany. The Instituto de la Cinematografía y de las Artes Audiovisuales of Spain. The Irish Film Classification Office (DVD/Video ratings) of Ireland. The Irish Film Classification Office (film ratings) of Ireland. The Instituto de Cine y Artes Audiovisuales of Argentinia. The Kenya Film Classification Board of Kenya. The Nederlands Instituut voor de Classificatie van Audiovisuele Media of the Netherlands. The Korea Media Rating Board of the Republic of Korea. The Kvikmyndaeftirlit Ríkisins of Iceland. The Krajowa Rada Radiofonii i Telewizj of Poland. Also known by the English acronym NBC-PL (National Broadcasting Council). The Lembaga Sensor Film of Indonesia. The Ministero dei Beni e delle Attività Culturali e del Turismo of Italy. The Medierådet for Børn og Unge of Denmark. Also known by the English acronym MCCYP (Media Council for Children and Young People). The Film Age-Classification Board of Malta (the acronym stands for Malta Council for Culture and the Arts Act). The Media Development Authority of Singapore. The rating scheme used in Bulgaria. Medietilsynet of Norway. The National Audiovisual Institute's Department for Media Education and Audiovisual Media (Mediakasvatus- ja kuvaohjelmayksikkö) of Finland. The Media Development Authority of Singapore. The Ministry of Information and Culture of the UAE. The Ministry of Culture of the Russian Federation of Russia. The MoC of Colombia. The Ministry of Culture of Taiwan. The Motion Picture Association of America of the USA. The Motion Picture Association of America of the USA. The Movie and Television Review and Classification Board of the Philippines. The National Bureau of Classification of the Maldives. The Classification Board of Australia. The National Film Centre of Bulgaria. The National Film and Video Censors Board of Nigeria. The Kijkwijzer system executed by the NICAM of The Netherlands. The Nacionālais Kino Centrs of Latvia. The Office of Film and Literature Classification of Australia. The Office of Film and Literature Classification of New Zealand. The Ontario Film Review Board of Canada. The Pan-European Game Information. The Rating Committee of the National Office of Film of Hungary. The Régie du cinéma du Québec of Canada. The Recording Industry Association of America of the USA. The Dirección General de Radio, Televisión y Cinematografía of Mexico. The Raidió Teilifís Éireann of Ireland. The Statens biografbyrå of Sweden. The Sistema Bolivariano de Comunicación e Información of Venezuela. Smáís of Iceland. The Statens Medieråd of Sweden. The Spitzenorganisation der Filmwirtschaft of Germany. The Ukrainian State Film Agency of Ukraine. The Television and Entertainment Licensing Authority of Hong Kong. The TV Parental Guidelines Monitoring Board of the USA. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. The Valtion elokuvatarkastamo of Finnland. A Type of Revenue according to the recipient of the payment. A Revenue of a Performer and producer. A Revenue of a Performer. A Revenue of a producer. A mode of a Recording. A mono RecordingMode. A SoundRecording made in multichannel audio mode. A stereo RecordingMode. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of Resource in the context of a Release. A Resource that is a main Resource of a Release. A Resource that is not a main Resource of a Release. It supports the PrimaryResources (examples are lyrics, cover art etc). In accordance with the GRid standard, a change in a PrimaryResource mandates a new GRid wheras a change in a SecondaryResource does not mandate a new GRid. A Type of Release according to its content, Duration and/or number of components. Note: a ReleaseType is the form in which a ReleaseCreator anticipates offering a Release to Consumers. A Type of Release according to its content, Duration and/or number of components. Note: a ReleaseType is the form in which a ReleaseCreator anticipates offering a Release to Consumers. A Video which promotes a product, service, idea, person or company, including promotional material for consumer products, services shown in theaters, infomercials or on digital signage. A Release that is a digital equivalent of a physical SoundCarrier of an extended Duration, typically containing multiple Tracks of SoundRecordings. It may also contain bonus Resources. A Release containing a Resource for use as an AlertTone primarily on MobileTelephones. An audio-visual Recording using a rapid display of a sequence of images of 2-D or 3-D artwork or model positions in order to create an illusion of movement. A Type of an Entity used when a MessageSender wishes to indicate that the value within the allowed value set is defined by the contractual relationship between MessageSender and MessageRecipient. A Release containing, chiefly, one or more Recordings of the reading of a book or manuscript. A Release predominantly containing excerpts from SoundRecordings. A Release containing an Image Resource that, in the physical equivalent Product, is a back cover image. A Release containing an Image Resource that, in the physical equivalent Product, is a back image of a booklet. A Release containing an Image Resource that, in the physical equivalent Product, is a front image of a booklet. A Release containing an Image Resource that, in the physical equivalent Product, is a booklet. A set comprising more than one Resource of different ResourceTypes compiled for release. Bundles are typically used in electronic distribution. This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. An Album that contains one or more SoundRecordings based on classical MusicalWorks, i.e. MusicalWorks that typically shows a hierarchy of components such as a concerto with multiple movements. A Video recording of a live Performance, usually of music, before an audience. An audio-visual Recording made for use within a corporate entity. Examples include company-internal training videos. A Release consisting of a media bundle assembled out of other existing Albums. It may contain a mixture of both audio and video Albums, as well as bonus material. The bundled Albums become components within the digital boxed sets resource group structure. A Release containing one SoundRecording that is mixed from several other (typically commercially released) SoundRecordings. An audio-visual Recording that presents a social, political, scientific or historical subject. Documentaries include current affairs programmes, TV magazines, biographies and 'making of' programs. A Release containing an Image Resource that, in the physical equivalent Product, is a document. A Release typically for use as an EBook. A Part of a Series made available at a specific point in time. It may be that a Season or Series is not yet complete when an Episode is made available. Episodes include 'pilots'. An audio-visual Recording made for initial distribution in cinemas, where it would be the 'main attraction' of the screening, or prime-time television. A Bundle whose core Resources are Videos, but that may also contain Resources of different ResourceTypes. FilmBundles are typically used in electronic distribution. A Release containing an Image Resource that, in the physical equivalent Product, is a front cover image. A Release containing an Image Resource, that is typically used as pictogram in graphical user interfaces, to represent the Release or a Resource or Party related to the Release, and which can be selected to perform a function. A Video created to advertise a Product or Service in an informative way. A Release typically for use as an InteractiveBooklet. A Release typically for use in Karaoke applications. An audio-visual Recording capturing an Event such as a sporting event, theatrical performances, etc. This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. A Release containing an Image Resource, that is typically used as a logo to represent Parties associated with the Release. A Release containing typically one or more LongFormMusicalWorkVideo Resources. A Release containing typically one or more LongFormNonMusicalWorkVideo Resources. A Release containing typically one or more lyric sheet Resources. A multimedia Release typically containing multiple Resources of different ResourceTypes. It may also contain bonus Resources. A multimedia Release with a short total Duration, typically containing two Resources of different ResourceTypes. A Release containing typically one or more MusicalWorkBasedGame Resources. A Release containing typically one or more MusicalWorkClip Resources. A Release containing typically one or more MusicalWorkReadalongVideo Resources. A Release containing typically one or more MusicalWorkTrailer Resources. A Release containing typically one or more MusicalWorkVideoChapter Resources. An audio-visual Recording, usually regularly scheduled, which reports current events. A Release containing typically one or more NonMusicalWorkBasedGame Resources. A Release containing typically one or more NonMusicalWorkClip Resources. A Release containing typically one or more NonMusicalWorkReadalongVideo Resources. A Release containing typically one or more NonMusicalWorkTrailer Resources. A Release containing typically one or more NonMusicalWorkVideoChapter Resources. An audio-visual Recording that is not part of a Series or Season. A Release containing typically one or more Photograph Image Resources. A Release containing a Resource for use as a RingbackTone primarily on MobileTelephones. A Release containing a Resource for use as a Ringtone primarily on MobileTelephones. A Release containing a Resource for use as a Screensaver. A Set of Episodes. Typically, a Season contains all Episodes to be made available in a pre-determined time frame, which often is within a twelve-month period. It may be that a Series is not yet complete when a Season is made available. A Set of Resources (Episodes) designed to be made available sequentially. A Release containing typically one or more Resources representing sheet music. A Release containing typically one or more ShortFormMusicalWorkVideo Resources. A Release containing typically one or more ShortFormNonMusicalWorkVideo Resources. A Release with a short total Duration, typically containing one or two Tracks of SoundRecordings. A Release containing a single Resource. A Release containing a single primary Resource, augmented by a single cover art image. A Video not specifically embodying a MusicalWork specifically created to promote another Video. A Release containing an Image Resource that, in the physical equivalent Product, is a TrayImage. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Release typically containing multiple Video Tracks. It may also contain bonus Resources. A Release containing typically one or more LongFormNonMusicalWorkVideo Resources. A Release predominantly containing excerpts from Videos. A Release containing typically one or more VideoScreenCapture Image Resources. A Release with a short total Duration, typically containing one or two ShortFormVideos. A Release containing normally one Video. A Release containing a Resource for use as a Wallpaper. A Role played by a Contributor in relation to a Fixation of an abstract Creation. A Party who plays a musical Instrument while another person is singing (or playing another instrument). A Party who performs spoken word or mime. A Performer that is not a LeadPerformer. A Party acting as the central moderator of a program. A Party reading news or describing events. A principal Contributor to a Performance of a MusicalWork or a NonMusicalWork that results in the creation of a Resource, or a principal creative Contributor to a Resource that is not a result of a Performance. Note: Used for naming groups as well as individuals. An Artist commonly associated with a Work as one of its Performers, and whose identity is only used for accurate Work identification. A Party who sings in the background. The principal member of a MusicGroup. A Party who gives an informal lecture, typically on radio. A group of Parties who perform vocally together. Typically, Choirs consist of at least 2 people in an combination of different vocal ranges. A member of a Choir. A Conductor who directs vocalists in a Choir. An Artist with skills that ar typical for circus performances. A Party who announces and plays recorded music. An Artist who makes people laugh (by telling funny stories or by acting). A Party who provides interpretation, analysis, or a discussion of a subject matter. A Party who leads or conducts a Performance by a group of Musicians. A Party who performs a dance. A group of two or more Parties performing a MusicalWork together. Note: An Ensemble may be of any size or any grouping of Performers from a vocal duo to a full orchestra. A Party who is not the MainArtist but is acknowledged as a significant Contributor to the Performance. Note: FeaturedArtists are often MainArtists on their own Resources. They are also frequently credited on marketing material using the term 'featuring ...'. A Person that is a member of a MusicGroup. A Party who is interviewed. A Party who interviews, i.e. talks to somebody for the purpose of eliciting his opinions. A central or primary Character in a storyline. A Party performing as a leading character. A Performer that plays the role of the protagonist in a film or play. A Party who is a principal credited Artist for a Resource. A group of individuals who perform vocally and/or instrumentally together. A Party who performs a MusicalWork either vocally or instrumentally. A Party who tells a story or gives an account of an event. A Party who reads news stories. A large group of Parties performing a MusicalWork together, predominantly using musical instruments rather than voice. An Orchestra is typically led by a Conductor. A member of an Orchestra. A Party who performs a MusicalWork either vocally or instrumentally and would be considered the principal Contributor for the piece. A Party who operates puppets in a Performance. A Party translating spoken words into sign language. A Party who performs the featured Part of a MusicalWork (or a section of it) alone or with only supporting accompaniment. A Party who performs using his voice without singing. A Performer relaying a story with dramatic or theatrical interpretation. A Party who performs a MusicalWork either vocally or instrumentally in a studio. A Party performing stunts. An Actor playing a secondary role. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Party who performs using his voice. A Type of Revenue earned by the SoundRecording, according to the way the Revenue is generated. A Revenue from financial interest. A Revenue generated by indemnities. A Revenue generated by royalties. A Role of a RightsController. A RecordCompany responsible for administering Rights in a Resource or Release. Note: This role does not entail any ownership or control of the exploitation of Rights, although the same Party may also be an owner or controller of Rights in that way. A Party administrating Rights on behalf of one or more RightsControllers. A Party who owns and/or controls Rights in a MusicalWork and/or a Resource. A Party that collects and distributes royalties on behalf of one or more RightsControllers. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of a RightsController. A RightsController who owns and/or controls the original Rights in a MusicalWork and/or a Resource. A RightsController who is a successor in title. An exclusive Licensee. The biological sex of a being. A female Sex. A male Sex. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of SoundRecording. A SoundRecording to read along to, and interact with, stories and songs, embodying a MusicalWork. A SoundRecording embodying a MusicalWork. A SoundRecording to read along to, and interact with, stories and songs, not embodying a MusicalWork. A SoundRecording which does not embody a MusicalWork. Examples: a SoundRecording of an Artist interview or a monologue. A SoundRecording containing spoken words with or without background music. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A studio Role played by a Contributor. A studio Role played by a Contributor. A Type of code. A StandardIdentifier according to ISO 3166-1 Alpha 2 or ISO 3166-2 standard (or WorldWide). This is the default value. Note: only selected ISO 3166-2 codes are included. A StandardIdentifier according to CISAC's Territory Information System. A Type of TerritoryCode which also includes deprecated codes. A StandardIdentifier according to ISO 3166-3 standard. Note: these codes are four-letter codes. A StandardIdentifier according to ISO 3166-1 Alpha 2 or ISO 3166-2 standard (or WorldWide). This is the default value. Note: only selected ISO 3166-2 codes are included. A StandardIdentifier according to CISAC's Territory Information System. A CISAC four-digit TIS code representing a Territory. Afghanistan (Source: TIS Standard). Albania (Source: TIS Standard). Algeria (Source: TIS Standard). Andorra (Source: TIS Standard). Angola (Source: TIS Standard). Antigua And Barbuda (Source: TIS Standard). Azerbaijan (Source: TIS Standard). Argentina (Source: TIS Standard). Australia (Source: TIS Standard). Austria (Source: TIS Standard). Bahamas (Source: TIS Standard). Bahrain (Source: TIS Standard). Bangladesh (Source: TIS Standard). Armenia (Source: TIS Standard). Barbados (Source: TIS Standard). Belgium (Source: TIS Standard). Bhutan (Source: TIS Standard). Bolivia (Source: TIS Standard). Bosnia And Herzegovina (Source: TIS Standard). Botswana (Source: TIS Standard). Brazil (Source: TIS Standard). Belize (Source: TIS Standard). Solomon Islands (Source: TIS Standard). Brunei Darussalam (Source: TIS Standard). Bulgaria (Source: TIS Standard). Myanmar (Source: TIS Standard). Burundi (Source: TIS Standard). Belarus (Source: TIS Standard). Cambodia (Source: TIS Standard). Cameroon (Source: TIS Standard). Canada (Source: TIS Standard). Cape Verde (Source: TIS Standard). Central African Republic (Source: TIS Standard). Sri Lanka (Source: TIS Standard). Chad (Source: TIS Standard). Chile (Source: TIS Standard). China (Source: TIS Standard). Taiwan, Province of China (Source: TIS Standard). Colombia (Source: TIS Standard). Comoros (Source: TIS Standard). Congo (Source: TIS Standard). Congo, The Democratic Republic of The (Source: TIS Standard). Costa Rica (Source: TIS Standard). Croatia (Source: TIS Standard). Cuba (Source: TIS Standard). Cyprus (Source: TIS Standard). Czechoslovakia (Source: TIS Standard). Czech Republic (Source: TIS Standard). Benin (Source: TIS Standard). Denmark (Source: TIS Standard). Dominica (Source: TIS Standard). Dominican Republic (Source: TIS Standard). Ecuador (Source: TIS Standard). El Salvador (Source: TIS Standard). Equatorial Guinea (Source: TIS Standard). Ethiopia (Source: TIS Standard). Ethiopia (Source: TIS Standard). Eritrea (Source: TIS Standard). Estonia (Source: TIS Standard). Fiji (Source: TIS Standard). Finland (Source: TIS Standard). France (Source: TIS Standard). French Polynesia (Source: TIS Standard). Djibouti (Source: TIS Standard). Gabon (Source: TIS Standard). Georgia (Source: TIS Standard). Gambia (Source: TIS Standard). Germany (after 1990) (Source: TIS Standard). German Democratic Republic (Source: TIS Standard). Germany (before 1990) (Source: TIS Standard). Ghana (Source: TIS Standard). Kiribati (Source: TIS Standard). Greece (Source: TIS Standard). Grenada (Source: TIS Standard). Guatemala (Source: TIS Standard). Guinea (Source: TIS Standard). Guyana (Source: TIS Standard). Haiti (Source: TIS Standard). Holy See (Vatican City State) (Source: TIS Standard). Honduras (Source: TIS Standard). Hong Kong (Source: TIS Standard). Hungary (Source: TIS Standard). Iceland (Source: TIS Standard). India (Source: TIS Standard). Indonesia (Source: TIS Standard). Iran, Islamic Republic of (Source: TIS Standard). Iraq (Source: TIS Standard). Ireland (Source: TIS Standard). Israel (Source: TIS Standard). Italy (Source: TIS Standard). Cote D'Ivoire (Source: TIS Standard). Jamaica (Source: TIS Standard). Japan (Source: TIS Standard). Kazakhstan (Source: TIS Standard). Jordan (Source: TIS Standard). Kenya (Source: TIS Standard). Korea, Democratic People's Republic of (Source: TIS Standard). Korea, Republic of (Source: TIS Standard). Kuwait (Source: TIS Standard). Kyrgyzstan (Source: TIS Standard). Lao People's Democratic Republic (Source: TIS Standard). Lebanon (Source: TIS Standard). Lesotho (Source: TIS Standard). Latvia (Source: TIS Standard). Liberia (Source: TIS Standard). Libya (Source: TIS Standard). Liechtenstein (Source: TIS Standard). Lithuania (Source: TIS Standard). Luxembourg (Source: TIS Standard). Madagascar (Source: TIS Standard). Malawi (Source: TIS Standard). Malaysia (Source: TIS Standard). Maldives (Source: TIS Standard). Mali (Source: TIS Standard). Malta (Source: TIS Standard). Mauritania (Source: TIS Standard). Mauritius (Source: TIS Standard). Mexico (Source: TIS Standard). Monaco (Source: TIS Standard). Mongolia (Source: TIS Standard). Moldova, Republic of (Source: TIS Standard). Montenegro (Source: TIS Standard). Morocco (Source: TIS Standard). Mozambique (Source: TIS Standard). Oman (Source: TIS Standard). Namibia (Source: TIS Standard). Nauru (Source: TIS Standard). Nepal (Source: TIS Standard). Netherlands (Source: TIS Standard). New Caledonia (Source: TIS Standard). Vanuatu (Source: TIS Standard). New Zealand (Source: TIS Standard). Nicaragua (Source: TIS Standard). Niger (Source: TIS Standard). Nigeria (Source: TIS Standard). Norway (Source: TIS Standard). Micronesia, Federated States of (Source: TIS Standard). Marshall Islands (Source: TIS Standard). Palau (Source: TIS Standard). Pakistan (Source: TIS Standard). Panama (Source: TIS Standard). Papua New Guinea (Source: TIS Standard). Paraguay (Source: TIS Standard). Peru (Source: TIS Standard). Philippines (Source: TIS Standard). Poland (Source: TIS Standard). Portugal (Source: TIS Standard). Guinea-Bissau (Source: TIS Standard). Timor-Leste (Source: TIS Standard). Puerto Rico (Source: TIS Standard). Qatar (Source: TIS Standard). Romania (Source: TIS Standard). Russian Federation (Source: TIS Standard). Rwanda (Source: TIS Standard). Saint Kitts And Nevis (Source: TIS Standard). Saint Lucia (Source: TIS Standard). Saint Vincent And The Grenadines (Source: TIS Standard). San Marino (Source: TIS Standard). Sao Tome And Principe (Source: TIS Standard). Saudi Arabia (Source: TIS Standard). Senegal (Source: TIS Standard). Serbia (Source: TIS Standard). Seychelles (Source: TIS Standard). Sierra Leone (Source: TIS Standard). Singapore (Source: TIS Standard). Slovakia (Source: TIS Standard). Viet Nam (Source: TIS Standard). Slovenia (Source: TIS Standard). Somalia (Source: TIS Standard). South Africa (Source: TIS Standard). Zimbabwe (Source: TIS Standard). Yemen, Democratic (Source: TIS Standard). Spain (Source: TIS Standard). South Sudan (Source: TIS Standard). Sudan (Source: TIS Standard). Western Sahara (Source: TIS Standard). Sudan (Source: TIS Standard). Suriname (Source: TIS Standard). Swaziland (Source: TIS Standard). Sweden (Source: TIS Standard). Switzerland (Source: TIS Standard). Syrian Arab Republic (Source: TIS Standard). Tajikistan (Source: TIS Standard). Thailand (Source: TIS Standard). Togo (Source: TIS Standard). Tonga (Source: TIS Standard). Trinidad And Tobago (Source: TIS Standard). United Arab Emirates (Source: TIS Standard). Tunisia (Source: TIS Standard). Turkey (Source: TIS Standard). Turkmenistan (Source: TIS Standard). Tuvalu (Source: TIS Standard). Uganda (Source: TIS Standard). Ukraine (Source: TIS Standard). Macedonia, The Former Yugoslav Republic of (Source: TIS Standard). USSR (Source: TIS Standard). Egypt (Source: TIS Standard). United Kingdom (Source: TIS Standard). Tanzania, United Republic of (Source: TIS Standard). United States (Source: TIS Standard). Burkina Faso (Source: TIS Standard). Uruguay (Source: TIS Standard). Uzbekistan (Source: TIS Standard). Venezuela (Source: TIS Standard). Samoa (Source: TIS Standard). Yemen (before 1990) (Source: TIS Standard). Yemen (after 1990) (Source: TIS Standard). Yugoslavia (Source: TIS Standard). Serbia And Montenegro (Source: TIS Standard). Zambia (Source: TIS Standard). Africa (Source: TIS Standard). America (Source: TIS Standard). American Continent (Source: TIS Standard). Antilles (Source: TIS Standard). Apec Countries (Source: TIS Standard). Asean Countries (Source: TIS Standard). Asia (Source: TIS Standard). Australasia (Source: TIS Standard). Balkans (Source: TIS Standard). Baltic States (Source: TIS Standard). Benelux (Source: TIS Standard). British Isles (Source: TIS Standard). British West Indies (Source: TIS Standard). Central America (Source: TIS Standard). Commonwealth (Source: TIS Standard). Commonwealth African Territories (Source: TIS Standard). Commonwealth Asian Territories (Source: TIS Standard). Commonwealth Australasian Territories (Source: TIS Standard). Commonwealth of Independent States (Source: TIS Standard). Eastern Europe (Source: TIS Standard). Europe (Source: TIS Standard). European Economic Area (Source: TIS Standard). European Continent (Source: TIS Standard). European Union (Source: TIS Standard). GSA Countries (Source: TIS Standard). Middle East (Source: TIS Standard). Nafta Countries (Source: TIS Standard). Nordic Countries (Source: TIS Standard). North Africa (Source: TIS Standard). North America (Source: TIS Standard). Oceania (Source: TIS Standard). Scandinavia (Source: TIS Standard). South America (Source: TIS Standard). South East Asia (Source: TIS Standard). West Indies (Source: TIS Standard). World (Source: TIS Standard). A Type of Title which defines its origin, form or the function it fulfils in relation to a Creation. Note: A Title may fulfil more than one role. Example: 'Help' may be both the OriginalTitle and the DisplayTitle for the well-known Beatles song. A shortened version of the DisplayTitle which may be used for devices that have limited display capability. An alternative to a primary Title, e.g. a ReferenceTitle or a DisplayTitle. Example: a song may become well known or 'also known as (a.k.a.)' by its first line or a line from its chorus: 'Don't Stop Me Now' performed by Queen may have an AlternativeTitle 'Having A Good Time' or, 'I will always love you' performed by Whitney Houston may have an AlternativeTitle of 'Theme from Bodyguard'. A Title expressed by the RightsController as to how a Title should be displayed for presentation to the Consumer. A Title which consists of the first line of the text of which it is a Title. A Title structured according to a naming convention. In many cases, a FormalTitle will be communicated together with a GroupingTitle. Example: This is often used for classical works. The 1st movement of Vivaldi's Spring concerto may have a FormalTitle of 'Concerto No. 1 in E major, Op. 8, RV 269, 'Spring' (La primavera), 1. Allegro (in E major)'. A Title given to a grouping of Creations. This is often used for classical works to indicate the parent work to the one being described. In many cases, a GroupingTitle will be communicated together with a FormalTitle. Example: When describing the 1st movement of Vivaldi's Spring concerto, a suitable GroupingTitle would be its FormalTitle without the last part. 'Concerto No. 1 in E major, Op. 8, RV 269, 'Spring' (La primavera)'. A Title by which a Creation is often incorrectly known. A Title that contains common typographic errors. A Title given to a Creation by its Creator(s), in its original Language. Note: A Creation may be given more than one OriginalTitle. Note: The OriginalTitle of a Creation X may be the DisplayTitle of a Creation that X is based on. Example: the OriginalTitle of the MusicalWork 'My Way' (whose lyrics were written by Paul Anka) is 'Comme d'habitude' (written and composed by Claude François). A Title created to aid database searching (for example, where special characters, puns, or slang have been replaced by standardized elements). A Title which has been arranged such that it can be used for alphabetic sorting. A Title of a Creation as Part of another Creation. A Title from which all initial articles and punctuation have been removed. A translation into a different Language of the value contained in an OriginalTitle Element. Note: this is not the same as the OriginalTitle of a translation of a Creation, though the two will often be represented by the same text string. Example: the TranslatedTitle of 'Le Nozze di Figaro' is 'The Marriage Of Figaro'. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Type of a nature of a Service, or a Release, as used by a Consumer. A Type of an Entity used when a MessageSender wishes to indicate that the value within the allowed value set is defined by the contractual relationship between MessageSender and MessageRecipient. To Deliver a Resource using radio waves on the radio frequency portion of the electromagnetic spectrum. This allowed value should only be used in the context of the MLC standard. To Download under a condition (e.g. tethered to a Service or device). To Stream where the only interactivity provided allows the Consumer to start, stop, pause, fast forward and rewind the Stream, and where there is limited flexibility to influence the content of the Stream. To display a Resource on a device where it will disappear when the device is switched off. This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. To transfer a Release from a Service's Computer to a Consumer's Computer for later consumption. This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. To reproduce an audio Resource in the creation of the soundtrack of an audio or audio-visual Advertisement. Note: this use does not include the public performance of the included Resource. To reproduce a Resource to enable a live Performance event. Note: this includes dramatic performances, dance shows and fashion exhibitions. To reproduce an audio Resource in the creation of a soundtrack of an audio-visual Work. Note: this use does not include the public performance of the included Resource. To reproduce an audio Resource in the creation of a music on hold system. Note: this use does not include the public performance of the included Resource. To reproduce an audio Resource to enable a public Performance. Note: this use does not include the public performance of the included Resource. To reproduce an audio Resource to enable any form of radio transmission. Note: this use does not include the public performance of the included Resource. To reproduce an audio Resource to enable any form of television transmission. Note: this use does not include the public performance of the included Resource. To reproduce and make available an excerpt from a Resource in an on demand internet streaming service. This use applies for example to excerpts/previews of sound recordings that consumers can listen to on-demand on sites such as Amazon or iTunes before buying the previewed product. To Download directly from a Kiosk to a consumer device. This allowed value should only be used in the context of the MLC standard. To Deliver a Resource to a specific list of recipients, by terrestrial or satellite transmission. This allowed value should only be used in the context of the MLC standard. To Stream a Release as part of a scheduled program that has been a-priori arranged. Consumers cannot directly influence the content or order of a NonInteractiveStream. NonInteractiveStreams are often referred to as web casts or pre-programmed Streams. To Stream a Release with full interactivity. To Perform a Resource in a music on hold service. To Perform a Resource as part of a live Performance event. Note: this includes dramatic performances, dance shows and fashion exhibitions. To Perform publicly. This allowed value should only be used in the context of the MLC standard. To Download for permanent storage and subsequent consumption by the Consumer. To play a Resource in a Release as an analogue signal for listening and/or viewing by an individual or small group. To play a Resource in a Release publicly. This UseType is typically used when reporting such usages to rights holders. To Deliver a series of Resources as a download via web syndication. To Copy a Resource on paper or an another permanent Medium where it can be seen. This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. To Copy a Resource for private use. This UseType is typically used when reporting revenues related to private copying levies. To purchase a PhysicalProduct. To allow access to a Release for a limited Period of Time. To Stream simultaneously over two or more different media systems or channels. This allowed value should only be used in the context of the MLC standard. To stream a Resource. To Download to a tethered download host (a device which must be connected to a DSP's service through a broadband connection whenever a downloaded Resource is played). To Stream where the only interactivity provided allows the Consumer to start, stop, pause, fast forward and rewind the Stream. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. To use a Resource in a Release as an alert primarily on a MobileTelephone for an event other than an incoming phone call. Examples: an incoming text message or a new voice mail. To Use a Resource in a Release that has been provided to a Consumer as part of a hardware purchase. The use of a Release for a form of entertainment in which an amateur singer or singers sing along with recorded music on microphone. To Use a Resource in a Release as the audible ringing that is heard primarily on a MobileTelephone by the calling party after dialing and prior to the call being answered at the receiving end. To Use a Resource in a Release as ringbacktune. To Use a Resource in a Release as an alert for an incoming phone call primarily on a MobileTelephone. To Use a Resource in a Release as ringtune. This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. To use a Resource in a Release as a screen saver for an idling device. To Use a Resource as a voice greeting that contains an audio master clip in the background. Such a greeting can be used for outgoing and/or incoming voicemails. [missing definition] To use a Resource in a Release to aid identification processes (e.g. to support rights management operations where a record company provides sound recordings to a service provider for fingerprinting or watermarking). For the avoidance of doubt: this UseType does not include making the Release available to Consumers. To reproduce and perform a Resource in a phone messaging system. To reproduce and perform a Resource in a service for phone based listening. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A UseType in which Consumers use a Release as part of their own Creation (e.g. a web site) only when the Release is provided by the ReleaseCreator to the service provider (e.g. the web site hosting company) and where the ReleaseCreator has stipulated to the service provider the ways in which the Release may be used by Consumers and these stipulations are conveyed to Consumers. A UseType in which Consumers use a Release as part of their own Creation (e.g. a web site) when the Release is not provided by the ReleaseCreator to the service provider (e.g. the web site hosting company) but by the Consumer or by other Consumers making the Release available through the service provider. To Deliver a Resource over the Internet using streaming technology. This allowed value should only be used in the context of the MLC standard. A Type of physical interface by which a Consumer uses a Service or Release. A Type of an Entity used when a MessageSender wishes to indicate that the value within the allowed value set is defined by the contractual relationship between MessageSender and MessageRecipient. A device for interacting with Releases that is directly connected to the Internet. This includes set-top boxes. An interactive entertainment Computer or electronic device with the primary function to manipulate the video display signal of a display device (a television, monitor, etc.) to display a Game. A device for playing back audio and/or audio-visual Resources in a defined public location on demand by an individual Consumer usually following payment. A device for Karaoke applications. A device in a fixed physical location for vending Resources chosen by an individual Consumer usually upon payment onto a physical Carrier. A Jukebox where the Releases are stored locally. A small Computer based on a microprocessor. In addition to the microprocessor, a PersonalComputer has a keyboard for entering data, a monitor for displaying information, speakers for producing sound and a storage device for saving data. A PersonalComputer may be a desktop or laptop, and it may run a variety of OperatingSystems. A device that can be used to transfer Resources to physical media such as CD-ROMs, DVDs or flash memory. A small, portable device with many of the features of a laptop PersonalComputer, which is also or primarily designed for storing, organizing and playing Resources. A Jukebox where the Releases are stored remotely and are accessed during play-back. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. A Type of VideoCodec. Advanced Video Coding as specified in ISO/IEC 14496-10. A VideoCodec as specified in ITU-T H.261. A VideoCodec as specified in ITU-T H.263. A VideoCodec defined by the Moving Pictures Expert Group and specified in ISO/IEC 11172-2. A VideoCodec defined by the Moving Pictures Expert Group and specified in ISO/IEC 13818-2. A VideoCodec defined by the Moving Pictures Expert Group and specified in ISO/IEC 14469-2. QuickTime as developed by Apple Inc. Real Video as developed by RealNetworks Inc. Shockwave as developed by Macromedia Inc. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A Type of an Entity which is defined by a sender of a DdexMessage in a manner acceptable to its recipient. Windows Media Video as developed by Microsoft Corp. A Type of Video. A Type of Video, as used in the DSRF Messages. A Video which promotes a product, service, idea, person or company, including promotional material for consumer products, services shown in theaters, infomercials or on digital signage. A Magazine that provides information about general topics for a broad audience. An audio-visual Recording using a rapid display of a sequence of images of 2-D or 3-D artwork or model positions in order to create an illusion of movement. A Video recording of a ballet Performance. An audio-visual Recording documenting events happening behind the scenes. An audio-visual Recording in black and white. A FeatureFilm or TvFilm for an audience of children. An audio-visual Recording which has been colorized. A Video of a recurring piece or feature in a radio or TV program. An extract of a ConcertVideo. A Video recording of a live Performance, usually of music, before an audience. An audio-visual Recording made for use within a corporate entity. Examples include company-internal training videos. An audio-visual Recording that presents the list of Contributors to an audio-visual production. An audio-visual Recording that presents a social, political, scientific or historical subject. Documentaries include current affairs programmes, TV magazines, biographies and 'making of' programs. An audio-visual Recording of traditional training, coursework, classroom or distance learning. Such Videos are primarily intended to educate rather than entertain. A Part of a Series made available at a specific point in time. It may be that a Season or Series is not yet complete when an Episode is made available. Episodes include 'pilots'. An audio-visual Recording made for initial distribution in cinemas, where it would be the 'main attraction' of the screening, or prime-time television. A fictional audio-visual Recording. A Video created to advertise a Product or Service in an informative way. An audio-visual Recording of an interview. A Video for Karaoke applications, typically for singing along to. An audio-visual Recording capturing an Event such as a sporting event, theatrical performances, etc. This allowed value is deprecated. DDEX advises that this value will be removed at a future date and therefore recommends against using it. A Video of an extended duration typically containing multiple tracks embodying at least one MusicalWork. Example: a concert video. LongFormMusicalWorkVideos are typically identified by an ISRC. A Video of an extended duration not embodying a MusicalWork. An audio-visual Recording (often a slide show), with captions showing the lyrics. An audio-visual Recording of a regular television or radio programme comprising a variety of topical items. An aid to navigate through a Video which may be organized, e.g., into chapters. Menus are typically used on a DVD-Video. An audio-visual Recording offering interactivity. An extract from a Video, embodying a MusicalWork. A Video to read along to, and interact with, stories and songs, embodying a MusicalWork. A Video created for specifically to promote another Video, embodying a MusicalWork. A VideoChapter embodying a MusicalWork. An audio-visual Recording, usually regularly scheduled, which reports current events. An extract from a Video, not specifically embodying a MusicalWork. A Video to read along to, and interact with, stories and songs, not embodying a MusicalWork. A Video created for specifically to promote another Video, not embodying a MusicalWork. A VideoChapter not embodying a MusicalWork. An audio-visual Recording that is not part of a Series or Season. A Video recording of Performance of an opera. An audio-visual Recording of a Performance such as recitation, magic, circus, stand-up comedy, burlesque, vaudeville or other variety stage act. This does not include concerts, dance, music, opera, theatrical productions. A Video to read along to, and interact with, stories and songs. A TvShowVideo of supposedly unscripted real-life contexts. A Set of Episodes. Typically, a Season contains all Episodes to be made available in a pre-determined time frame, which often is within a twelve-month period. It may be that a Series is not yet complete when a Season is made available. An audio-visual Recording of a work divided into two or more episodes which generally have the same title and a dramatic continuity between episodes. A Set of Resources (Episodes) designed to be made available sequentially. A fictional audio-visual Recording with an original length less than that of a FeatureFilm. This does not include short animated films. An audio-visual Recording without sound. A Video recording of a short satirical theatrical Performance. A Video recording of a work, comprising of episodes, involving the same main performers, with a unity of place and generally broadcasted on a daily basis. An audio-visual Recording capturing an Event not related to sport or performances or concerts, such as a political convention or a talk show. An audio-visual Recording of a sporting Event. A Video recording of Performance of a theatrical work. A Video not specifically embodying a MusicalWork specifically created to promote another Video. A fictional audio-visual Recording made specifically for initial broadcasting on television networks. An audio-visual Recording of a regular television or radio programme. A Video recording of a TV show including reality programmes, magazines, variety shows, game shows. TvShowVideo should be used when no other value of VideoType is appropriate. A Type of an Entity used when a sender of a DdexMessage wishes to indicate that the value within the allowed value set is unknown. A section of a Video defined by a start and end point. Typical VideoChapters are MusicalWorkVideoChapter or NonMusicalWorkVideoChapter. A shortened Video. An audio-visual Recording of an account or statement describing in detail an event, situation, or the like, usually as the result of observation, inquiry, investigation. An unedited audio-visual Recording that was recorded as part of a Session to produce, for instance, a ShortFormMusicalWorkVideo, but that has not been incorporated into the final version. A code representing a Territory. This includes ISO 3166-1 two-letter codes plus a code for Worldwide (This list is included here for compatibility reasons. Current standards use other TerritoryCode lists).